By Henry Polgar and Lisa McFarren-Polgar It takes a special occasion to bring an audience together to listen to four hours of classical piano music, and the finals of the WIPAC 2026 Piano Competition proved to be just such an occasion on Sunday, August 9, at the Mexican Cultural Center in Washington, DC. A dedicated audience gathered once again to hear the final six competitors, who had spent the week advancing through the competition and arrived prepared to perform for the top prizes. A Celebration of Artistic Commitment In his welcoming remarks, Mexican Ambassador Juan Carlos Lara Armienta graciously referred to the audience as “La Résistance.” In an era increasingly shaped by artificial intelligence and other high-tech inventions, his remarks underscored the importance of authentic artistic creativity and the human spirit behind it, adding, “Music is the backbone of our civilization.” The beauty and welcoming spirit of the Mexican Cultural Center provided the perfect setting for the finals of the WIPAC competition, which distinguishes itself for its support for pianists over the age of 32, many of whom pursue demanding careers outside music while continuing to cultivate exceptional artistry at the piano. The Chairs of this year’s competition were Mark Stubis and Qin Sun Stubis. Prize Winners and Memorable Performances This year’s first prize was awarded to Dr. James Chou, whose magnificent performance of Chopin’s Sonata No. 3 in B minor Opus 58 reached for the sublime. Dr. Chou is also a second-year cardiology fellow at Columbia University, making his achievement all the more remarkable. This mystical composition is considered one of Chopin’s most mature works, written in 1844 in Nohant, France, the home of his companion Georges Sand with whom Chopin enjoyed a long and renowned relationship. Writer Oscar Wilde, who regarded music as the perfect art form expressing human emotions with more impact than words, referred to the Chopin Sonata, “I feel that I had been weeping over sins that I had never committed and mourning over tragedies that were not my own.” And indeed, this was the longing and deep tender yearning that James Chou communicated in his interpretation of the Largo, leaving the final notes seeming to suspend time itself. Chou’s technical command was evident in the exciting Finale, as his fingers moved effortlessly across the keyboard. Second prize winner, engineering manager Ivan Wong of Canada, lived up to his own words when he described music as his lifelong companion, performing as one with piano. His performance was distinguished by the beautifully clear and distinct voices that he brought out in the fugue section of the Sonata Ballade, Op 27 by N. Medtner. Phillip Hosford, the co-director of the Academy of Fine Arts in Gaitherbursg, was awarded the third prize, following his ambitious selection of works by Debussy, Chopin and Liszt. In Liszt’s Ballade No. 2, Hosford explored the vivid colors, dramatic contrasts and rich textures of the work with great virtuosity. The passionate ending of the piece left the audience in great awe. Semi-finalist Dr. William Bloomquist stunned his audience with the Aaron Copeland Piano Variations. Written in 1930, the work is a dramatic atonal set of variations composed in Copeland’s younger days, prior to his famous melodic symphonic works that made him the personification of the “American Composer.” Performing a work that has been described by Copeland’s best friend, Leonard Berstein, “as “hard as nails,” Bloomquist took on the challenge and conquered its technical challenges with great energy and skill. Illya Bunyakin, originally from Donetsk, Ukraine, and now residing in Maryland, gave a brilliant performance of Schumann's Symphonic Études en forme de variations, Op. 13 (1852). Particularly memorable was his interpretation of the final variation, which he infused with a jubilant and triumphant spirit. The work's history added another poignant dimension to his performance. Bunyakin performed the second edition of the Symphonic Études, the version famously performed by the great British pianist Dame Myra Hess during the Blitz of London in World War II. Hess gave approximately 1,500 lunchtime concerts at London's National Gallery during the bombings, providing Londoners and soldiers with a refuge of music amid the devastation of war. In light of the continuing conflict in Ukraine, the historical resonance was especially moving. Bunyakin's triumphant reading of the final variation seemed to embody the enduring power of music to offer courage, hope, and a sense of humanity even in the darkest circumstances. Amongst the works performed by the semi-finalist Jonathan Shih, a product designer from Seattle, Washington, was American composer Charles Tomlinson Griffes’ The Fountain of the Acqua Paola, Op 7, No. 3. Shih’s exquisite touch clearly conveyed the imagery of the flowing water of the famous fountain. With the rippling arpeggios the pianist captured the true spirit of this American impressionist masterpiece. All of the contestants during the 5 day WIPAC Competition deserve congratulations for their extraordinary achievement, discipline, and humanism, as well as for sustaining their talent and love of the piano alongside other demanding pursuits. Acknowledging the Support Behind WIPAC Much praise is also due to the generous donors who helped make WIPAC possible. Mark Stubis and Qin Sun Stubis contributed the first prize; Michela Gorham contributed the second prize; and Judith Ramage contributed the third prize. Finalist prizes were awarded by Michael and Portia Davidson. Additional donors included Dr. Zidi Berger, Mike and Faye Rokni, Suzanne Eisinger, Lisa McFarren-Polgar, Wanda O’Brien, Susanne Tolstoy, Sheila Switzer, Priscilla Huffman, Annie Totah, Diane Merriam, Jeanne Blackwell, Dr. Wayne and Linda Sharp and Lola Reinsch. And of course, accolades are due to Faye Rokni President of WIPAC, and especially to the “Doyenne” of WIPAC founder Chateau Gardecki and Doyen John Gardecki, whose charisma, vision, and enduring commitment to music has helped make WIPAC possible and allowed it to flourish for more than a quarter of a century. Their legacy is reflected not only in the competition itself, but in the community of musicians and supporters they have nurtured over the years. It is also the dedication of the jurors that has made WIPAC so successful and respected internationally year-after-year. The distinguished jurors included Prof. Teodora Adzharova, Prof. Frank Conlon, pianist Anna Ouspenskaya, pianist David Witten, Prof. Frederic Chiu and pianist Eric Himy. Deliberations of the Jury were coordinated by the Chair, Michael Davidson. Henri Polgar and Jan DuPlain served as the Press Jury. Recognizing the immense contribution as a juror of the WIPAC Competition over many years, as well as his remarkable career as a pianist and educator, WIPAC presented an award to Dr. Raymond Jackson. List of Competition Awards. Photo courtesy of Virtual Concert Halls.

Launches its First European Cultural Exchange Tour In their first international tour, the acclaimed Tema Choir USA inspired audiences in England and France from June 4 to June 16, 2026. With a home base in Woodbridge, Virginia, their tour took them to several congregations in both countries, as well as to the Ghanaian embassy in Paris and the Ghana High Commissioners Office in England. Their tour came to an exciting finale in a concert performance at the Westminster Methodist Church Central Hall, during the fellowship service. Report from Ghana Embassy in Paris The Ghana Embassy in Paris was delighted to welcome Mr. Ebenezer A. Allotey, internationally acclaimed musician, conductor, educator, and Founder/Artistic Director of the Tema Youth Choir, along with members of the Tema Choir USA, during their visit to France for the Africa Sings Paris Experience. Firstly, as part of the programme, the choir delivered a captivating performance on Saturday, 6 June 2026, at Église Saint-Adrien in Courbevoie. The event brought together choral groups from the Ghanaian Methodist and Presbyterian communities in Paris, as well as a choir from Togo, in a celebration of faith, fellowship, and African musical heritage. Their inspiring performances highlighted the richness of African choral traditions and fostered a spirit of unity among participants and audiences alike. Thereafter, as part of their visit, the choir paid a courtesy call on Her Excellency Mavis Ama Frimpong at the Chancery in Paris on Monday, 8 June 2026. During the visit, the choir treated Embassy staff to a beautiful rendition of inspirational songs, creating a joyful and uplifting atmosphere. In welcoming the group, Her Excellency shared personal reflections on her Christian upbringing and her connections to the Methodist, Presbyterian, and Pentecostal traditions in Ghana. The interaction was marked by warmth, faith, and a shared appreciation of the role of music in bringing people together across cultures. Her Excellency commended the choir for their dedication to promoting Ghanaian musical heritage and expressed her appreciation for their contribution to cultural exchange through music. The Embassy was honoured to host the group and extends its best wishes for their continued success as they inspire audiences around the world through their talent, faith, and commitment to excellence.

Semi-Finals Update Another season of the Washington International Piano Artists Competition (WIPAC) began on August 6 as 20 pianists gathered once again in Washington, D.C., continuing a tradition that has flourished for more than a quarter of a century. Over the coming days, these accomplished musicians will compete for the coveted First Prize in the 2026 competition. Six Finalists of the 2026 WIPAC Competitio An enthusiastic audience of piano lovers assembled for the opening day of performances. By day's end, half of the competitors had completed their preliminary recitals. Tomorrow, the remaining pianists will take the stage before the jury, who will then select the semi-finalists. The competition will culminate on Sunday at the Mexican Cultural Institute, where the winners will be honored during a gala concert and awards dinner. Selecting finalists from such an exceptional field is no easy task. Competitions of this kind have a long and distinguished history dating back nearly a century. The International Chopin Piano Competition, established in Warsaw in 1927, set the standard for international piano competitions and remains one of the world's most prestigious musical events. What makes WIPAC unique is its dedication to non-professional concert pianists—artists who have achieved remarkable levels of musical excellence while pursuing careers outside of music. The competition attracts outstanding pianists over the age of 32 whose professions range from medicine and law to computer science and education, demonstrating that artistic achievement and professional accomplishment can flourish side by side. Among the highlights of the opening round was the performance of J.S. Bach's Toccata in D minor, BWV 913, by Reiko Osawa of Itami, Hyogo, Japan. A graduate in music composition from Osaka College of Music who later continued her studies while living in San Jose, California, from 2001 to 2009, Ms. Osawa delivered a remarkable interpretation distinguished by its clarity, precision, and technical brilliance. Equally inspiring is her personal story. Describing herself as a homemaker, she shared that she has transformed "stay-at-home hours into this stage dress. My craft, my music," reflecting her commitment to balancing creativity and family life. Another memorable performance came from Phillip Hosford. Active as both a pianist and actor in his younger years, Hosford later devoted himself to education and, together with his wife, founded a music school in Maryland. His performances of Scarlatti's Sonatas in E Major and D Major, followed by Brahms's Capriccio in B minor, displayed maturity, elegance, and genuine artistic presence, leaving a lasting impression on the audience. Tomorrow, the remaining competitors will present their programs before the jury and audience, and by evening the finalists will be announced. As another outstanding competitor, Illya Bunyakin, who performed Nikolai Medtner's Sonata Reminiscenza with flair and musical sensitivity, remarked: "For me, events like this are about the chance to share the music I love, and I hope you will all love it too." His words capture the spirit of WIPAC. While prizes and awards are important, the competition ultimately celebrates the joy of sharing music at the highest level, bringing together gifted amateur pianists from around the world whose passion for the piano transcends professional careers. At the conclusion of thewere second day of the competition, these were the semifinalists: William Bloomquist, Illya Bunyakin, Jim Chou, Catherine Dost, Simon Finlow, Reiko Osawa, Johnathan Shih, Max Sung, Yuchao Zhou, Kotomi Suzuki, and Phil Hosford. Today, they will continue their competition at the Kosciuszko Foundation headquarters in Washington, D.C., where the finalists will be selected to perform on Sunday, August 8, at the Mexican Cultural Institute. Once again, we extend our sincere gratitude to the distinguished members of the jury: Chairman Michael Davidson, Esq.; Professors Teodora Adzhara, Frank Conlon, Anna Ouspenskaya, David Witten, Frederic Chiu, and Eric Himey. Their knowledgeable and thoughtful evaluations have contributed greatly to the success of the competition. Our appreciation also goes to those whose organizational and “hands-on” hard work has made this event possible: Founder Chateau Gardecki; President Faye Rokni; Board Members Michaela Gorham, Portia Davidson and Karl Woelflein; and Competition Committee Co-Chairs Mark Stubis and Qin Sun Stubis. And now, “En Avant!” — onward to the finals!

Two legendary icons of the twentieth-century stage were brought vividly to life by the remarkable producer, author, actress, and “femme de culture,” Robin Phillips and the acclaimed singer Yvette Spears. Together they presented an unforgettable evening celebrating the music and lives of Marlene Dietrich and Josephine Baker. This special Summer Musicale took place at “Woof Trap Theatre” at the Carderock Falls Manor as part of WIPAC’s annual fundraising event following its 25th Anniversary in 2025. WIPAC will hold its annual International Piano Arts Competition from August 5th through the 9th in Washington, DC. One of WIPAC’s greatest champions, Robin Phillips, presented her original production, Marlene and Josephine, Wine, Women and Song. Phillips, portraying Marlene and Spears, portraying Josephine, skillfully brought these two extraordinary women together on stage. In her narration, Phillips explored their unique lives as chanteuses, performers, and courageous women whose paths intersected in France during World War II. As Phillips expressed, “By the late 1960s, Marlene and Josephine were not just performers, they had become legends… women who crossed borders, defied expectations, loved passionately, stared down the whole world and defied fascism.” She went on to explain that “neither lived cautiously, neither apologized for living fully… they were a symbol of individuality, survival and defiance.” Josephine Baker, an African American singer, dancer, and entertainer of immense talent, left the United States because she could no longer tolerate the racism she experienced despite her growing acclaim. In France, she became an international sensation and one of the most celebrated performers of her era. Marlene Dietrich, born in Germany, was likewise renowned as a legendary chanteuse and one of the most successful actresses of the twentieth century. She settled in France and devoted herself to supporting the Allied cause during World War II. Dietrich became especially admired for entertaining Allied troops, boosting morale, and demonstrating unwavering loyalty to the fight against Nazism. Rejecting Adolf Hitler’s invitations to return to Germany and publicly support the regime, she ultimately became an American citizen. Josephine Baker’s story is almost unbelievable in its scope and achievement. She captivated audiences throughout Europe and counted among her admirers some of world’s greatest artists and intellectuals, including Pablo Picasso and Jean Cocteau. Beyond her artistic accomplishments, Baker became an active member of the French Resistance, serving as a spy and making significant contributions to the Allied war effort against Nazi Germany. Phillips recounted how Baker hid secrets in her music scores that helped the allied forces. Her postwar life was equally extraordinary. Baker adopted twelve children of diverse ethnic backgrounds and raised them in her French château as a living testament to racial harmony and human unity. Despite later financial hardships that threatened the loss of her home, she received crucial support from Princess Grace of Monaco, whose friendship helped preserve Baker’s quality of life during difficult times. Yvette Spears portrayed Josephine Baker to great acclaim. Possessing a vocal timbre and resonance reminiscent of Baker’s celebrated rich, warm and highly expressive mezzo soprano voice, Spears captivated the audience with her energy, and charisma. Particularly memorable was her rendition of Frank Sinatra’s classic “My Way,” a song that Baker herself famously performed at Carnegie Hall in 1973, just two years before her death in 1975. Peter DiGiovanni's accordion performance created the flavor for the era of the 1940s and pianist Ronald "Trey" Walton's virtuosic piano accompaniment was an inspiration to both the singers and the audience. The realization of this remarkable production was made in part through the efforts of Jose Alberto Ucles, a devoted supporter of WIPAC and Commissioner of the DC Arts Commission. It was through his introduction of Yvette Spears to Robin Phillips that this dynamic collaboration came to fruition. Robin Phillips’ production, through her eloquent narration and moving interpretations of Dietrich’s songs, illuminated the remarkable lives of these two women. The performance was poetic, compelling, and deserving of a much wider audience through future professional-stage productions. Event Chair, Marsha Muawwad graciously welcomed guests to the intimate theatre venue. The evening reflected the dedication and support of WIPAC’s outstanding leadership and community, including founders Chateau and John Gardecki, President Faye Rokni, and the organization’s officers, supporters, and volunteers. Their commitment continues to make possible cultural events of exceptional quality while advancing WIPAC’s mission of nurturing the art of piano performance. The event was not only a celebration of two extraordinary women whose courage, artistry, and convictions changed history, but also a testament to the power of the arts to educate, inspire, and unite audiences across generations.

Congratulations Wuiping Yap for another successful street fair ... 21 years through thick and thin. Photo essay by George Newcomb Experience the energy, flavor, and excitement of the Fiesta Asia Street Fair through this photo journey. This Street Fair is the longest-running and largest free Pan-Asian festival in the Washington, DC metropolitan area! Spanning multiple stages and vibrant cultural pavilions, the festival features more than 1,000 performers, artisans, and food vendors representing over 20 Asian cultures. From dazzling performances and interactive cultural experiences to incredible cuisine and handcrafted art, Fiesta Asia is an unforgettable celebration of the rich heritage, diversity, and spirit of Asian communities.

On the evening of May 18, 2026, jazz lovers gathered in Washington, D.C. for an unforgettable celebration of rhythm and great musical artistry as the acclaimed DIVA Jazz Orchestra presented its “Swing Into Spring” concert. Hosted by the National Women's Foundation at the historic Whittemore House, the event combined the timeless spirit of big band jazz with the energy and sophistication that has made DIVA one of the world’s premier all-female jazz ensembles. DIVA Quintet brings Swing into Spring at the National Women's Foundation in DC The concert featured a select quintet from DIVA, showcasing dynamic interpretations of jazz standards and contemporary arrangements. DIVA has spent more than three decades redefining the role of women in jazz while honoring the traditions of swing and big band music. From the first beats by percussionist Sherrie Maricle, the atmosphere inside the Whittemore House was electric. After enjoying delicious appetizers in the historic setting of the Whittemore House, the room quickly transformed into an intimate jazz club, alive with syncopated rhythms, expressive solos, and the pulse of swing music. Under the musical leadership of renowned drummer Sherrie Maricle, DIVA has performed in venues worldwide, including Carnegie Hall, the Kennedy Center and Lincoln Center. The brilliant performers also included Amy Shook on bass, Janelle Gill, on piano, Jennifer Krupa on Trombone and Leigh Pilzer on the baritone saxophone. While the artists enjoy significant academic achievements, their performance was anything but academic and a testament to the authenticity of their great musicianship. The “Swing Into Spring” program featured beloved jazz classics as Duke Ellington’s “It Don’t Mean a Thing if You Ain’t Got That Swing; Peggy Lee’s and Bill Schluger’s “I Love Being Here With You;” and more contemporary works like “The Nearness of You,” by Norah Jones. The audience was at the edge of their seat as Sherrie Maricle’s drumbeat led the band in So Danzo Sambo, a Brazilian favorite composed by Joao Gilberto and Stan Getz. In “Bernie’s Tune, Saxophonist Leigh Pilzer paid tribute to composer Bernie Miller, a Washington DC native who has fallen into obscurity. His song was made famous by the great Gerry Mulligan as well as by Ella Fitzgerald and groups led by Stan Getz, Buddy Rich and many others. The only reference that can be found about Bernie Miller is that he was a pianist with the Taft Hotel Orchestra in New York City. Perhaps the reason that he has been virtually forgotten except for “Bernie’s Tune” is that he died when he was only 25 year old . Encouraged by the dynamic rhythms, the audience took to the dance floor, immersing themselves in the music. Whether through smooth saxophone melodies, vibrant trombone lines, rich bass sounds, rhythmic piano passages and the dynamic drums, the quintet demonstrated why DIVA remains a major force in modern jazz. Beyond the music itself, the concert carried a deeper significance. The event celebrated women’s leadership and artistic excellence, reflecting the mission of both DIVA and the National Women’s Foundation. For decades, DIVA has challenged stereotypes in the jazz world, opening doors for future generations of female musicians while maintaining an uncompromising standard of musical excellence. The National Women’s Foundation’s is dedicated to the preservation of women’s history, and through their many programs, to introduce young people to music, literature and history. Their voter registration program has focused on high school graduates, leading to civic engagement by thousands of young people. Watch for the next concert of the Whittemore Concert Series. On October 8th, pianist Leah Claiborne will perform a recital for the piano featuring the music of Florence Price, the first African American woman to be recognized as a symphonic composer.

By Lisa McFarren-Polgar With wisdom beyond their years, the six Regional Finalists of the MLK Youth Oratorical Competition affirmed the enduring legacy of Dr. Martin Luther King Jr. and secured the promise of the next generation at the event held at Mt Zion Baptist Church in Triangle, VA. The Prince William Chapter of Delta Sigma Theta Sorority, Inc. hosted the powerful and inspiring program showcasing remarkable young people, whose poise, eloquence, and conviction demonstrated that the dream of justice and freedom is very much alive. Serving as Master of Ceremonies, Dumfries Mayor Derrick Wood set the tone for an unforgettable morning, reminding the audience that these young voices represent both the future and the responsibility we share today. The middle school finalists included Jasraj Saini of Benton Middle School, Danielle Odom of Rippon Middle School, and Brianna McGlawn of Manassas Park Middle School. The high school finalists were Beulah Sarsah of C.D. Hylton High School, Salima Lankford-Diallo of Manassas Park High School, and Ryqah Shaikh of Gainesville High School. Winners of the Competition were Brianna McGlawn and Beulah Sarsah. Each competitor delivered a clear and urgent message: change requires action. Jasraj Saini’s dynamic presentation emphasized that awakening the dream requires courage, compassion, and speaking up for what is right. “Martin Luther King’s dream belongs to all of us,” he declared, urging the audience to replace fear with understanding. Brianna McGlawn passionately echoed Dr. King’s belief that “justice is not the absence of tension, but the presence of justice.” She challenged the community to come together and fight for friends, family, and neighborhoods, reminding everyone that unity is essential in the pursuit of equity. Danielle Odom’s speech struck a deeply emotional chord as she addressed injustices faced by marginalized communities, including the 59,000 immigrant families torn apart. She spoke powerfully about the cruelty of cutting food benefits for children “before they can even read,” calling attention to the human cost of policies that harm the most vulnerable. Mayor Wood proudly affirmed that “these young people are our future,” adding that while Dr. King had a dream, these students are actively awakening it through their words and actions. The high school orators further demonstrated the promise of tomorrow’s leaders. Ryqah Shaikh challenged the audience to confront inequities in education, stating that “some doors are heavier for some than others.” She emphasized that awareness alone is not enough and called for advocacy and accountability. “A dream only stays a dream if we stay asleep,” she said. “We can become the generation that makes it real.” Beulah Sarsah called on everyone to “have the courage to be radical” and dared the audience to imagine a world that truly works for everyone. Quoting Frederick Douglass, she reminded listeners that “We the people means all the people.” She spoke movingly about the fears children face going to school and parents face going to work, urging the community to awaken a dream that includes and protects all. Salima Lankford-Diallo closed with a powerful challenge, asking, “How do we awaken the dream if the world is asleep?” She urged listeners to confront reality head-on, warning that history has a way of repeating itself when ignored. “We have a chance to fix it,” she declared. “Wake up!” Inspired by the students’ words, Mayor Wood reminded the audience that the event was not just about speeches, but about who these young people are becoming. In special recognition, Congressman Eugene Vindman congratulated the orators and the organizers as they celebrated the 41st anniversary of the MLK Oratorical Competition. He presented the regional winners with certificates to be entered into the Congressional Record. The dancers of Divine Inspirations Center for the Arts, Directed by Capriece Piper, brought the message to life with powerful movements and graceful dance choreographed to the words of Maya Angelou. The Prince William County Alumnae Chapter of Delta Sigma Theta Sorority, Inc., under the leadership of President Felicia Pryor, is to be commended for sustaining this meaningful MLK commemoration for 41 years. Sorors Joanne Bagnerise and Lillie Jessie were specially recognized for their unwavering commitment to the youth of Prince William County and for their visionary leadership in creating this event in 1985, just one year after the chapter was chartered. The program concluded on a high note with the MLK Youth Community Choir, whose beautiful and energetic performance brought the audience to its feet. Under the direction of Khanner Hancock Essix, the young singers filled the room with joy, hope, and a powerful reminder that the dream lives on through the voices and actions of our youth.

In a world too often marked by turmoil, the Washington International Piano Arts Competition’s annual gala once again affirmed the enduring power of music—its ability to uplift, connect, and remind us of the beauty still present in life. Through the artistry of pianist Michael Slavin and the dedication of the WIPAC community, this year’s Gala stood as a testament to harmony not only in sound, but in spirit. This year’s event once again welcomed the “doyen” of WIPAC pianists, Dr. Michael Slavin , recipient of the Winners Classic Circle 2025 . Slavin performed a short recital for an audience composed of long-time supporters, aficionados of piano artistry, and enthusiastic newcomers. Before an elegant dinner at The Tavern , a historic Georgetown landmark that has hosted luminaries since the American Revolutionary War, guests were introduced to this year’s Gala Committee Co-Chairs, Mark Stubis  and his wife, author Qin Sun Stubis . In his welcoming remarks, Mr. Stubis introduced Dr. Slavin, who in turn paid tribute to WIPAC founders Chateau and John Gardecki , whose tireless work over the past quarter-century has elevated WIPAC into one of the world’s most prestigious competitions for the “musical amateur” pianist. Slavin’s recital featured works by Leoš Janáček , Brahms , Chopin , and Liszt . A Program of Depth and Emotion Slavin opened with Janáček’s In the Mists , a work of haunting beauty. In the festive atmosphere of the evening, pianist Slavin’s mastery of the piano and sensitivity for Janáček’s distinctive melodic palette—shaped by Moravian folk influences and the composer’s turbulent emotional world—was vividly realized. Slavin embodied Janáček’s own words: “The art of dramatic writing is to compose a melodic curve that will, as if by magic, reveal immediately a human being in one phase of his life.” As Dr. Slavin so well conveyed on the piano, Janacek’s turbulent life gave form to this work, from melodious phrasing to dramatic tones. Slavin next performed Brahms’s Rhapsody in B Minor , delivering a powerful, crisp, and deeply dramatic interpretation. Dedicated to Brahms’s close friend Elisabeth von Herzogenberg , a gifted composer and pianist constrained by the conventions of her aristocratic life, the piece resonates with personal warmth. In Slavin’s hands, it recalled her own words to Brahms: “Your music forms an integral part of our lives… like the air and light and warmth.” Chopin’s Nocturne Op. 27 No. 2 , one of his most beloved works, followed. Slavin played with crystalline delicacy and introspective grace, drawing from Chateau Gardecki  a spontaneous and heartfelt, “Bravo, Michael!” Composed in 1835, the nocturne was famously performed by Chopin in Leipzig at the home of Friedrich Wieck, for Robert and Clara Schumann and Felix Mendelssohn, who later remarked: “I heard a lovely new notturno by Chopin, a considerable part of which I learned by ear.”  Slavin’s performance is a reminder of the importance of preserving such memories and musical traditions. His finale, Liszt’s Hungarian Rhapsody No. 13 , brought virtuosic flair and elegance. Often mistakenly associated with themes from the Spanish violinist Pablo de Sarasate or misattributed to Romani origins, the work actually draws from authentic Hungarian folk melodies. Slavin’s rendition—performed on a legendary Viennese Bösendorfer piano—was poised, exuberant, and commanding. Honoring a Community of Supporters The evening also recognized many individuals whose dedication strengthens WIPAC’s mission. Among them were: Carolyn Fuller , stepping down as President of WIPAC, Faye Rokni , the newly appointed WIPAC President, Portia Davidson , former WIPAC President, Michael Davidson , former President and current Chairman of the Jury, Rhoda Septilici , diplomatic liaison, Michaela Gorham , of the Gorham Family Foundation, Art patrons Wayne and Linda Sharp who generously funded the use of the Bosendorfer piano , a nd of course, WIPAC founders John and Chateau Gardecki

Reprinted courtesy of Diplomatic Watch https://diplomaticwatch.com/wipac-founders-john-chateau-gardecki-honored-with-lifetime-achievement-arts-award/ by Victor Gotevbe October 24, 2025 Reading Time: 3 mins read Washington International Piano Arts Council (WIPAC) co-founders, John and Chateau Gardecki were honored on Wednesday with the Lifetime Achievement Arts Humanitarian Award presented by the Church of Scientology. The award recognizes the couple’s extraordinary more than two decades of contribution to the city’s cultural life, establishing Washington as a hub for non-professional classical pianists worldwide. The award citation praised the couple’s enduring influence on Washington’s artistic landscape, stating: “Our office has been honored and proud to know Chateau and John Gardecki, and to have helped support and sponsor several annual WIPAC Festival of Music and Washington International Piano Artists Competition events. Dupont Circle is noted for the arts, and WIPAC added a new dimension of classical piano music to the area. As the founders of WIPAC, their life’s work of sharing beautiful classical piano music inspired us to present them with the Lifetime Achievement Arts Humanitarian Award.” John Gardecki performing for the audience The Gardeckis founded WIPAC in 2002 after John Gardecki, a resident pianist of Middleburg, Virginia, competed successfully in two of the world’s premier amateur competitions, the Concours International des Grands Amateurs de Piano in Paris and the Van Cliburn International Piano Amateur Competition in Fort Worth, Texas. Those experiences inspired him and Chateau to offer musicians of similar backgrounds a platform in Washington that would unite artistry, community, and cultural exchange. They quickly formed an executive board of music lovers and, with the assistance of Jerome Barry, founder and director of the Embassy Series, WIPAC launched its first public concert, the Winners Grand Prix Concert, at the French Embassy on April 24 2002. The event featured leading amateur pianists from Paris, Fort Worth, and Boston and drew strong public and diplomatic interest, marking the birth of a new cultural tradition in the capital. Encouraged by their success, WIPAC was invited by Keith Peoples of the Society of the Cincinnati to revive public piano recitals at Anderson House Museum. The partnership produced seasonal concerts between 2002 and 2010, featuring acclaimed pianists such as Frederic Chiu, Eric Himy, and Janice Weber. The program later continued at the Kosciuszko Foundation American Polish Center for the Arts, further extending WIPAC’s reach within Washington’s embassy district. Today, WIPAC’s signature Festival of Music and Washington International Piano Artists Competition, hosted in cooperation with the George Washington University Music Department, draw non-professional pianists from around the world. Participants, often professionals in diverse fields such as medicine, law, and engineering, perform for the love of music, exemplifying the Gardeckis’ belief that artistic passion transcends vocation. Over more than two decades, the Gardeckis have woven piano artistry into the cultural fabric of Washington, engaging with embassies, nonprofits, and educational institutions. Their leadership has strengthened global friendships through music while giving dedicated amateurs a stage to achieve professional-level performance standards. Receiving the Lifetime Achievement Arts Humanitarian Award marks a culmination of that lifelong mission. Through WIPAC, John and Chateau Gardecki have established that music not only enlightens audiences but also builds bridges between nations, cultures, and hearts.

On a lively Friday evening, the historic Whittemore House—headquarters of the National Woman’s Democratic Club in Washington, D.C.—was transformed into a swinging jazz hall as over one hundred guests gathered for a special New Orleans Jazz Night, part of the ongoing Whittemore Concert Series. Longtime D.C. jazz legend Thad Wilson and his Septet took the stage to resounding applause, bringing classic New Orleans jazz to life with an infectious energy that swept across the room. The group’s tight, exuberant sound had everyone tapping their feet, clapping along and dancing. Joining Wilson was celebrated vocalist Steve Washington, a Broadway veteran and well-known figure in the local music scene. His commanding baritone and charismatic stage presence brought an extra layer of magic to the night’s performances.   Among the evening's standout moments was Washington’s heartfelt rendition of “I Was Telling Her About You” , first popularized by Al Hibbler and later covered by greats like Johnny Mathis, Dinah Washington, Nancy Wilson, and Marvin Gaye. His performance paid loving tribute to these vocal icons while making the song his own. Audience members were also treated to an insightful two-minute historical video, echoing the engaging tone of Henry Louis Gates Jr., exploring New Orleans Jazz as America’s first original musical form. Far from slowing the pace, this moment of reflection added depth and context to an already dynamic program. Wilson’s ensemble delivered powerful interpretations of jazz standards, including the high-energy “Take the ‘A’ Train” by Billy Strayhorn—famously inspired by Strayhorn’s first journey to meet Duke Ellington in 1939—and the deeply emotional “Blood Count,” Strayhorn’s final composition, written while he battled cancer. The performance captured the poignant beauty of the piece, drawing the audience into its soulful depths. Also was the ever-popular “Little Liza Jane,” a traditional tune with Southern roots that had the entire room moving. With Washington leading the vocals, the ensemble brought a contemporary flair to this beloved classic. The night closed with a stirring rendition of “What a Wonderful World,” with Thad Wilson channeling Louis Armstrong’s signature gravelly voice so convincingly that it felt as though Armstrong himself had joined the party. Held at the Whittemore House, a gem of the Arts and Crafts Movement and home to the Woman’s National Democratic Club since 1927, the concert honored not only jazz history but the legacy of women’s advocacy in the U.S. The house was acquired just years after the passage of the 19th Amendment, symbolizing a new chapter in American civic life. The Whittemore Concert Series continues this winter with a performance by the National Symphony Orchestra Trio on December 2nd. Mark your calendars for another unforgettable evening of music and culture. Special thanks to the generous supporters who helped make the Thad Wilson concert possible: Pamela Johnson, Suzanne Finney, Judy Hubbard, Cliftine Jones, Sasha Kay, Bonnie Heather McCabe, and several anonymous donors.

Delegates King and Maldonado Lead the Celebration of the African Diaspora Heritage Month in Virginia If you had walked through the halls of the State Capitol in Richmond on September 9th, you would have heard the heavenly voices of the Tema Choir as they prepared to sing outside on the steps of the Capitol to celebrate Virginia's African Diaspora Heritage Month.  The Observance, established in 2022, serves to honor the global African diaspora and its profound impact on the fabric of American society and culture.  The event was hosted by Delegates Candi Mundon King and Michelle Lopes Maldonado who provided an opportunity to highlight achievements, foster cultural connections between Africans and their descendants in the Americas, and recognize the ongoing contributions of this growing and diverse community.  Under the direction of Ebenezer Allotoy, the Tema Choir has blessed our community with joyful and inspiring performances for many years. It has performed with the Old Bridge Symphony Orchestra and at many venues, including Embassies, churches and senior communities, highlighting beautiful Ghanaian traditional songs as well as music from the classical repertoire.  The powerful speeches during the celebration by members of the General Assembly told the story of the ties that bind between the Americas and Africa and the historical significance of having the first African American Speaker of the House in a Capitol that was built by slaves. Following the event, the choir, dignitaries and officials were feated to a Taste from Africa by Mamasu's Restaurant. On September 16, Virginia's Congresswoman Jennifer McClellan Lead a Bipartisan Resolution Recognizing September as African Diaspora Month in the United States. “As one of the fastest growing immigrant populations across the United States, the African diaspora has brought a depth of culture and history that enriches our nation. Virginia feels those ties especially strongly, since the first Angolans arrived on the shores of Hampton, Virginia in 1619,” said Congresswoman McClellan. “As a state senator three years ago, I championed the effort that made Virginia the first state in the nation to designate September as African Diaspora Month. Now, I’m proud to carry this torch to the federal level alongside my colleagues on both sides of the aisle.” On the Senate side, Senators Kaine and Cornyn have also led the way to establish African Diaspora Heritage Month accross the country. Delegate Candi King's inspirational remarks during the African Diaspora Heritage Month. Delegate Michelle Maldonado gives the history behind the establishment of the African Diaspora Heritage Month.